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Here he breaks down ignominiously, considering the amount of sternness he had summoned to his aid when commencing, and, walking to the mantelpiece, lays his arm on it, and his head upon his arms. THE BLACKFEET CREATION "What, indeed?" says Geoffrey, tragically. "Worse still, what would have become of poor Mona?".

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By this time they have reached Dorothy's room, and now, sitting down, gaze mournfully at each other. Mona is so truly grieved that any one might well imagine this misfortune, that is rendering the very air heavy, in her own, rather than another's. And this wholesale sympathy, this surrendering of her body and mind to a grief that does not touch herself, is inexpressibly sweet to her poor little friend. "One must not hope for perfect happiness on this earth," says Mona, gravely; "but at least I know," with a soft and trusting glance at him, "I shall be happier than most people." Geoffrey, who has tears in his eyes, takes her in his arms and kisses her once softly, before them all. Jenkins, the antediluvian butler, proves himself a man of his word. There are, evidently, "no two ways" about Jenkins. "Seeking the seclusion that her chamber grants" about ten o'clock to-night, after a somewhat breezy evening with her mother-in-law, Mona descries upon her hearthrug, dozing blissfully, two huge hounds, that raise their sleepy tails and heads to welcome her, with the utmost condescension, as she enters her room..